IMOVIE 10.0.8 SHOW TIMELINE HOW TO
IMOVIE 10.0.8 SHOW TIMELINE PRO

Name the library “Transfer lib Vxxx”, where xxx = current project name Rename the duplicated project to the next versionįile -> Copy Project to Library -> New Library – Right click and select Duplicate Project

We can review dailies and share our edits without issue.Ĭreate a copy of the project to be transferred So we shipped a drive to our Jackson site, brought both up and everything is working perfectly. But there was no practical way to ship 168GB worth of footage around. As we’ve added files to the project, it’s easy to transfer them around. This whole procedure is reliant on both sites have the same video files in the same Library and Event. Using this process, you will have a file small enough to fit in email, without having to transport video files around. This procedure is wordy but meant to lay everything out as clearly as possible. The process has worked flawlessly and we thought we’d share the procedure with the rest of the FCPX community. We at TVL Video have been using this technique to work on films between our locations in San Diego and Jackson Hole. Those all may work, but they’re not useful with a 2 hour film’s worth of media (30+ hours) shared between different sites.

IMOVIE 10.0.8 SHOW TIMELINE HOW TO

There are some discussions about how to use XML to transfer the files, or having shared drive locations.

IMOVIE 10.0.8 SHOW TIMELINE PRO

There are questions all over the net about how to share Final Cut Pro X (FCPX) 10.1 projects between different sites and editors. Using the Expand Audio Components with the OPTION+double click or right click, now the tracks stay attached, just like in FCP 7. The risk was that the audio and video could be misaligned, causing a sync problem. You will now be able to Enable/Disable the audio track without losing your audio edits by just clicking ‘V’.īefore, we would Detach Audio, then create a compound clip, and enable/disable the audio there. If that doesn’t work, right click on the clip and select Expand Audio/Video, then select the audio track, and select Expand Audio Components. Then OPTION+double click the audio to collapse it back. This little audio icon lets you know that you can now disable the audio by hitting the ‘V’ key. If you look at the two pictures on the right, the one with regular double click and the one with OPTION double click, you’ll see there is a small speaker icon in the audio track. If you just double click the audio track in the timeline without holding the OPTION key down, you will not be able to independently select the audio track. The audio must be visible in the clip for this to work and you must click the audio waveform to make this work. This is a problem because if you’ve already adjusted levels, then you’ll have to fix them again.ĭouble click the audio track in a clip in the timeline while holding the OPTION key down. The wrong way to do this, as suggested by other forums, is to take the audio level and just drag it down to -(infinity). We’ve struggled with this some time, as after FCP 7, there seemed to be no way to independently control if the audio of an individual clip is active or not. It is possible to disable the audio of a clip without detaching it. FCPX is quite powerful but it can be mystifying when you’re not sure about a “secret” keystroke.ĭouble click clip expand FCPX 10.1 Control clip audio without detaching audio We’re working on the final editing stages of Antarctic Tears the film and it doesn’t have a fixed time space, but once or twice both the audio connection point and the position tool have come in very handy.

But when you need to place a clip at an exact point, the position tool is what you want. We rarely use the position tool, as the select tool is generally much more powerful and (somewhat) non-destructive. That way your main timeline stays fixed but you can work inside of your fixed time, say for a commercial spot or such. Then, in the gap, you create a sub-timeline or child timeline and edit in there. But what you can do is use the Place tool, slide things around and create a gap. At first this seems irritating, as you might want to lock your piece of media at an exact time in the timeline. One of the difficulties in understanding how FCPX works is that the magnetic timeline is always floating. At first, it doesn’t seem possible with the magnetic timeline. Connection point after adjustment Fixed timelinesĪlong the same theme, perhaps you need to lock something into position in FCPX. To change the connection point of an audio clip, all you do is pressĬOMMAND+OPT and click on the audio track you want to connect under the video clip you want to connect it to. If not, you’re always guessing where the connection will end up and it’s a problem. Connection point before adjustment Changing Audio Connection in FCPXĬhanging the connection point of the audio to a clip in FCPX is easy.

Imovie 10.0.8 show timeline